How To Make Your Own Artist Charcoal From Grapevine

You might be surprised how easy it is to burn your own vine charcoal to use for drawing. I used wild grape vines, but you can use other non-poisonous vines or small sticks - even thin dowels will work. Experiment with the nontoxic materials available to you locally. While I burned mine in my wood stove, this technique can be used in a camp fire the next time you go camping, or in your charcoal grill.  

Demonstrating Linoleum Block Cutting And Printing

I was honored to be among those demonstrating how to make art at the "Stars of Texas" annual art show in Brownwood Texas. This is the third year I have been invited to do this and it is something I always enjoy. This year, I demonstrated Linoleum Block cutting and printmaking.

An Evening Of Art And Music: Salon des Refuses

It is that time again! This is the reception for the opening of Salon des Refuses at the Brownwood Art Association Art Center in Brownwood, Texas. The Salon des Refuses displays art that didn't make the annual juried Stars of Texas Art Show. Both are running through the 20th. Do come and see these beautiful works of art. Entry is free, and the quality is top-notch. :-)



At the piano in this video is my friend Debra Mathis.  Debra has CDs of her music available for purchase. She also composes, and is available to create original music for themes and other projects.  Here is the link to her Facebook page: https://www.facebook.com/music.by.DebraYvonne

Hand Finishing Fine Silver Jewelry: Pre-Firing Phase

In my Etsy store (link over to the left), I sell handmade jewelry.  This video shows a portion of the finishing process that happens on each piece. I also talk about the time involved in making these items, and why an artisan-crafted item may have a selling price that is far above the value of the materials used to make it. Craftspeople always face the challenge of understanding who their market is, and in this video I talk a little about that.

Where Unchosen Postage Stamp Designs Go To Play

This is the coolest page I have seen today: Sheaff : ephemera : Stamp Design.   These are postage stamp designs that never made it through the final approval process. Like hiring, sometimes there are just too many good ones and only one job, or in this case, one stamp. So these got left behind. But they are wonderful to see.

 I am a Rockwell Kent freak - the 37c woodcut angel is one of my faves. The various 42c Edgar Rice Burroughs/Tazan are ALL, I think, better than the one they ended up with - it was truly a homely stamp. The technique used to generate Cochise's portrait is fascinating. And dig them cool cats playing Latin Jazz, down toward the last of the list. 

Save this page to end the daily browsing with & sleep on a lighter note. :-)

Letterpress Poster Printing ... And A Little Wood Type Puzzle Solved

 I've been doing more printing lately. This is the first poster I've ever printed. I am pretty happy with it! It was a give-away for my demonstration at our Farmer's Market - we had a bit of a celebration on the first day of the new Cottage Food Law, and I figured, why not promote the really big event of the season: The Harvest Fair!  The demonstration was fun and I met a couple of printers - boy they must be right that once printer's ink gets into your veins it never goes away,  because nobody gets excited to see my type the way former printers do. It is worthwhile to hold a little exhibit just for the chance to make some erstwhile printers really really really happy! :-)


After I started looking at my little Line-o-Scribe proof press to figure out how to use it for a portable demonstrating press, I remembered a couple of cases of very small wood type that I bought when I was first outfitting my shop and haven't used before. They are small fonts and, lucky for me or I never would have gotten them, were not as desireable at the time for people looking for that large newspaper and poster faces they could print with their Vandercooks. Turns out these are perfect for flyer-sized posters on my press.

 

 Now, here is the wood-type puzzle I mentioned in the title:

A little oddity of note: see that "4" in the lower right (stage right) corner? When I first set it, it was backward! And another small face also had backward - aka not mirror image - fours! I kept turning it upside down to try to fix it, about drove me batty. Then after a couple of days, I looked at the pieces of type again.


Can you solve the puzzle? 


Answer is below,








under the photo...

 

'

'


'

When I looked at the type after clearing my mind, I was able to see that they didn't need to be flipped 180 degrees, but turned a quarter turn.

In both fonts, the number crossbars for the number fours are exactly the same length. Thus, when standing on their crossbars, they look like they are non-mirror-image cutouts.  It was just a fluke that they were all turned
wrong in their case, looking for all the world like they belonged that way!

Come and See! The Project I Have Been Working On Since January!

In January, my future with my employer went away. In February, I started working on designing silver jewelry, and now am ready to launch.  I've had an Etsy shop for a while to test a few things, but my main marketing  method will be in person at shows and events. The show I will be exhibiting at is a 3-day event that draws about 25,000 people. It should be a good starting point. I am so excited I can hardly stand it. :-)


Here's a somewhat edited version of the press release I sent out to media yesterday:
  
FOR IMMEDIATE RELEASE  

Local Artist's Handmade Silver Jewelry Celebrates Texas Wildlowers and Our Christian Heritage             

Announcing Pecan Corner, featuring fine Artisan and Christian jewelry by Tina Howard. Original designs in Fine Silver, handmade by the artist, one at a time, in Texas, USA.    

Artisan Tina Howard introduces a new line of Fine Silver jewelry celebrating the beauty of Texas and our Christian heritage, all handmade in Texas, USA.  Howard is exhibiting in Booth #56 at the Brownwood Reunion this weekend, Sept. 20-22.

Created from her original designs and cast in .999 Fine Silver, pieces in the collection range from a large statement "Matthew 6:28 Cross" with Bluebonnets and Sunflowers, and a figural Oilfield Pump Jack, to a series of small charms with individual roadside flowers: Bluebonnet, Wild Geranium, Primrose, Thistle, and Shepherd's Purse. New designs are being added as Howard creates them.

The artist makes each jewel herself, one at a time. She begins by sculpting a prototype by hand, from which a single basic mold is created as the starting point for each successive piece. The nuances of individually molding, firing, and finishing each piece with a significant amount of handwork assures that no piece will ever be identical to any other.

Howard points out that "My pieces look handmade because they are handmade", and notes that you might find her fingerprint permanently cast into a piece once in a while. Even earrings, because each half of the pair is made separately, will vary ever so slightly from its mate. Howard explains that these artistic details are marks of human craftsmanship which machines cannot produce, and anticipates that you, too, will find beauty in the variety.

Howard is proud to offer jewelry that is completely made by hand right here in Texas. In addition, she purchases all of her raw materials from domestic companies and looks for "Made in USA" on her supplies whenever available.

 Howard's designs can be purchased on Etsy.com in her shop named "pecancorner".

Tina Howard is a native of Oklahoma, who has lived in Texas her entire adult life, raising her family in the Big Spring/Midland area, and spending a few years in Port Lavaca before she and her husband Paul moved to their current town  in 2007, where they live in a tiny cottage shaded by pecan trees.

~~~~~~~

Linocuts and Letterpress: Printing Seed Packets and Cottage Food Labels

I've been having fun this year in the print shop, turning out seed packets for saving seeds in.  The Pecan Corner Press is a hobby, and this kind of ephemera is what I usually produce. I use handset type and some fun old cuts.  I've been taking these to the local Farmer's Market since the grasshoppers and deer have eaten all my gardening efforts this year.  The empty ones are great for saving seed and tucking into a get well card or garden club seed exchanges. Some people even said they were going to use them in their little miniature display cabinets.

My Swiss Chard went to seed this year (it is a biennial, and can be harvested as long as it lives - it is never tough or bitter), so I made the linoleum cut and filled these to see how the seed would sell. This is the old variety, Fordhook, and they can be planted in Texas all the way though the fall.

I didn't take a press but I have taken a locked-up chase and it has drawn a lot of interest.  I have a ways to go before I sell enough to pay for my market fees, but this is a good way to support our little market and help it grow.

 
 When September rolls around, I'll be able to offer more items - we all will. Texas passed a Cottage Food Law a couple of years ago that made it possible to open one's home to sell baked goods and jams. It is a common-sense approach that recognizes that if we know the person doing the cooking, we can decide for ourselves whether we want to eat what they have cooked.  The newest version, which takes effect Sept 1st 2013, is pretty exciting, because it expands common sense to foods that are pretty much going to be safe to eat and allows us to take our products to Farmers' Markets and locally sponsored Fairs, as well as sell from home.

 Here's another place where we - Republican, Democrat, Libertarian, Tea Party, Occupy... pretty much everybody but the Socialists and Communists - can come together, I think. We all want personal sovereignty over our food!!!!

 So, in anticipation of HB 970 (still awaiting the final rules to define exactly what items we can sell), I have been carving linoleum blocks to use on labels for my homemade jams, jellies, relishes, sauerkraut, syrups and baked goods. The linocuts, combined with Art Deco era typefaces, give the labels a fun old fashioned look. These are the first proofs of a few of them, printed on dry-gummed paper. I will tweek the colors and ink coverage a bit for the final labels.

Old Easter: The Ever-New Story of Jesus' Resurrection from the Dead

Today is Easter for the Orthodox Church, which still uses the old Julian calendar to calculate the date for the church year.  The denomination I grew up in celebrated every Sunday as a little Easter, and in truth, every day is the "Now" of the Resurrection.

Jesus of Nazareth, the Messiah, the Christ, is risen from the grave. He lives!

Here is a portion of the true story that was recorded by some of the people who enountered Jesus after He returned to life. This is the 20th Chapter of John, from the wonderful "The Message" translation, that is faithful to the original and yet in our own American English language. May the Holy Spirit give you a new comprehension of the Truth as you read in Jesus' name!

Resurrection!

20 ^1-2 Early in the morning on the first day of the week, while it was still dark, Mary Magdalene came to the tomb and saw that the stone was moved away from the entrance. She ran at once to Simon Peter and the other disciple, the one Jesus loved, breathlessly panting, “They took the Master from the tomb. We don’t know where they’ve put him.”

^3-10 Peter and the other disciple left immediately for the tomb. They ran, neck and neck. The other disciple got to the tomb first, outrunning Peter. Stooping to look in, he saw the pieces of linen cloth lying there, but he didn’t go in. Simon Peter arrived after him, entered the tomb, observed the linen cloths lying there, and the kerchief used to cover his head not lying with the linen cloths but separate, neatly folded by itself. Then the other disciple, the one who had gotten there first, went into the tomb, took one look at the evidence, and believed. No one yet knew from the Scripture that he had to rise from the dead. The disciples then went back home.
^11-13 But Mary stood outside the tomb weeping. As she wept, she knelt to look into the tomb and saw two angels sitting there, dressed in white, one at the head, the other at the foot of where Jesus’ body had been laid. They said to her, “Woman, why do you weep?”
^13-14 “They took my Master,” she said, “and I don’t know where they put him.” After she said this, she turned away and saw Jesus standing there. But she didn’t recognize him.
¹⁵ Jesus spoke to her, “Woman, why do you weep? Who are you looking for?”
She, thinking that he was the gardener, said, “Mister, if you took him, tell me where you put him so I can care for him.”
¹⁶ Jesus said, “Mary.”
Turning to face him, she said in Hebrew, “Rabboni!” meaning “Teacher!”
¹⁷ Jesus said, “Don’t cling to me, for I have not yet ascended to the Father. Go to my brothers and tell them, ‘I ascend to my Father and your Father, my God and your God.’”
¹⁸ Mary Magdalene went, telling the news to the disciples: “I saw the Master!” And she told them everything he said to her.

To Believe

^19-20 Later on that day, the disciples had gathered together, but, fearful of the Jews, had locked all the doors in the house. Jesus entered, stood among them, and said, “Peace to you.” Then he showed them his hands and side.

^20-21 The disciples, seeing the Master with their own eyes, were exuberant. Jesus repeated his greeting: “Peace to you. Just as the Father sent me, I send you.”
^22-23 Then he took a deep breath and breathed into them. “Receive the Holy Spirit,” he said. “If you forgive someone’s sins, they’re gone for good. If you don’t forgive sins, what are you going to do with them?”
^24-25 But Thomas, sometimes called the Twin, one of the Twelve, was not with them when Jesus came. The other disciples told him, “We saw the Master.”
But he said, “Unless I see the nail holes in his hands, put my finger in the nail holes, and stick my hand in his side, I won’t believe it.”
²⁶ Eight days later, his disciples were again in the room. This time Thomas was with them. Jesus came through the locked doors, stood among them, and said, “Peace to you.”
²⁷ Then he focused his attention on Thomas. “Take your finger and examine my hands. Take your hand and stick it in my side. Don’t be unbelieving. Believe.”
²⁸ Thomas said, “My Master! My God!”
²⁹ Jesus said, “So, you believe because you’ve seen with your own eyes. Even better blessings are in store for those who believe without seeing.”
^30-31 Jesus provided far more God-revealing signs than are written down in this book. These are written down so you will believe that Jesus is the Messiah, the Son of God, and in the act of believing, have real and eternal life in the way he personally revealed it.



*The painting is by Pre-Raphaelite painter Arthur Hughes, titled "He is Risen: the First Easter", painted in 1893-1896.

Barbarian Days: A Family Doctor's Home in the 1920s & 1930s (the Home of Author Robert E Howard)

A couple of weeks ago, we went to Cross Plains, Texas, and toured the Robert E Howard home as part of their "Barbarian Days Festival".  Howard's father was Dr. Isaac M. Howard. This simple frame house served as the family home, and, also, sometimes, doubled as Dr Howard's office where patients were seen. The home was continually in use as a place to live for various families from the time Dr Howard sold it until Cross Plains' Operation Pride recovered it for preservation in 1989.

 Since that time, they have worked to furnish it with period furnishings and house those artifacts they can obtain (such as the camel inkwell that stood on Howard's desk - a gift from Cecil Lotief, local Cross Plains  dry goods merchant - and first Texas legislator who had been born in Lebanon. He was first elected in 1932). Other furnishings are close copies of items either known to have been there, or true to the period.  Below is a photo of Bob Howard in front of this house, circa 1925.

My main interest was that I enjoy touring simple historical homes: the kind of house in which ordinary citizens lived a hundred years ago. In this case, the home of an ordinary small-town family physician. During that epoch in American history, there were similarities among all Americans of frugality, economy of space and furnishings, and natural closeness of proximity to household members and neighbors, that is readily apparent when we walk through such a home and consider how life would be lived in it.

 By today's standards, the author's cell-like bedroom/study (below) is tiny, cramped, and simple. But by the standards of the day (continuing even up into the 1970s in most of the country), it was probably much like the rooms of Howard's own unmarried peers. The room offered simple comfort, privacy, a bright and airy place in which to write and attend to the voluminous correspondence an author would keep up in that era when postcards and letters would be mailed daily for the same purposes email and messaging would serve today. 

The bare bulb was a common feature of most homes until new homes built in the prosperous 1950s and 60s popularized inexpensive, built-in light fixtures. My grandmother's house had several while I was growing up.  Our current house still had bare bulbs in the mid-1940s during WWII, when Rita's family first moved here, and it was the first time they had electricity. This house at that time had 4 rooms - and her family rented one of them out to a soldier and his wife, who kept all their household goods in that one small bedroom, brought pots out to cook and went back into their room to eat their meals! This gives an idea of how economically indoor space was used during these earlier eras.

 Porches were converted into bedrooms more often than not - and existing windows and doors were just left intact. During pre-electric times, such windows and doors still had use for ventilation and light, just like the transoms found above interior doors in so many old homes. If not needed to carry daylight and breezes, these unused windows and doors were often covered permanently with a heavy curtain or drape to block light and drafts, and furniture would be placed in front of it as though it were a solid wall.

My mother's house, of similar or slightly earlier vintage as this one, has two such converted porches: one very similar to this one resulted in her kitchen having a window-to-nowhere (well, technically, a window-into-the-next-room). Her kitchen also has another window that faces into the remaining screened "sleeping porch" that could have been, if needed, similarly converted. The other converted porch left a door-to-nowhere behind the sofa in her living room (but alas, there is no "door into summer"!).

Not only were bedrooms added to accommodate growing families, but also young adults tended to live at home until they married, and were given their own space by adding a room or converting a porch. Our house has a converted porch that we now use as the laundry room. but which once turned a crowded 4-room house into a three-bedroom home  and housed a family's sons, who had previously slept in the living room.

From the back, it is each to see the flat roof of the addition - also very common for what is known as "lean-to" add-ons. Our house has a similar flat roof over the portion added in the 1970s.
 

 I was particularly interested to see the plate block for Dr. Howard's original bookplate (or Ex Libris as some call them). It is a linoleum cut and bears the doctor's own signature. A corresponding print from it is framed with it, but I couldn't tell whether the plate was designed to make prints onto gummed paper for application, or to print directly onto a book's fore-leaf.

 The docents at the museum, all members of Cross Plains' Project Pride, were wonderful, and I appreciated their friendly guidance through the tour. Here is one of these nice ladies with the Cross Plains Centennial Quilt, displayed in Mr and Mrs Howard's bedroom of the home, to which she had contributed a square. Each block was made by local women to celebrate the town's history, and its recovery from the devastating wild fires that burned 130 homes and killed two people in 2005.

 We wrapped up the day with the Barbarian Festival in a lovely, oak-shaded park, complete with live music, free watermelon (courtesy of AMA-Techtel), Conan the Barbarian artwork, and fabulous food. There was even a car show. This is an annual event and it was a lot of fun. I hope we will be able to go again from time to time!

Much more about Howard, his writing, his family, and life can be found at various places, including REH: Two-Gun Raconteur, REHupa (the Robert E Howard United Press Association), and the Robert E Howard Foundation.

7/4/12 Update: Thanks to OpiningOnline.com for the link! :-)

The Sunny Skies are Aqua Blue...

 5/3/12 *Bumped*  (originally posted 4/30/12) Still time to appreciate Christopher's art with your vote! :-)


I love this image. It's a photo taken in Mozambique. Like all that is wonderful in traditional tropical art, it presents happy, healthy children in their own element: peeking through a doorway and laughing as their picture is taken, uncaring that their bright eyes and glowing faces are going to be shared with people far, far away.

The light, sea and sky are reflected in the worn layers of white and turquoise paint on the adobe house, with the sandy stucco showing through, in the whitewashed, hand-worn-smooth wooden door.

It is not a perfect paradise, but the photo reminds us that in the beautiful innocence of childhood, paradise awaits when we open our eyes each morning: it's the breakfast our mama gives us, the tree growing in our yard for us to climb, the warm comfort of brothers and sisters to play with: even in one of the most desperately poor countries of the world. 

Our wonder-full friend, digital artist Christopher Gaston took this amazing photo while visiting Mozambique, and titled it "Mozambique: Land of Hope". He has entered it in a contest, and he needs to get 250 votes for his photo to advance to the next round. Please visit the contest, and if you appreciate this image of giggling children peeking through a doorway, please vote for it by clicking here.

* Title comes from the Bob Dylan song that goes: "I'd like to spend some time in Mozambique... The sunny skies are aqua blue..."

The Word

In the beginning was The Word.....

 This beautiful Icon image was painted by the Russian artist Victor Vasnetsov . It's unusual to see Jesus Christ depicted as the glory of the night sky in this way - but it's a true way to imagine Him, for indeed He is Lord of the Cosmos, and lights our sleeping as well as our waking: "And the Light shines in the darkness, and the darkness comprehends it not..." 

Or, as the passage is rendered in The Message Bible (linked above): "The Life-Light blazed out of the darkness; the darkness couldn't put it out."

Sweet dreams! Jesus Himself watches over you!


.

Jesus Christ Is Risen! Alleluia!

May eternal joy be yours! Happy Easter with God's rich blessings to all!

Death Be Not Proud
Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou think'st thou dost overthrow,
Die not, poor Death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul's delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell;
And poppy or charms can make us sleep as well
And better than thy stroke; why swell'st thou then?
One short sleep past, we wake eternally,
And death shall be no more; Death, thou shalt die.
-- John Donne


Romans 5:9-11:
"By his blood we are now put right with God; how much more, then, will we be saved by him from God's anger!
"We were God's enemies, but he made us his friends through the death of his Son. Now that we are God's friends, how much more will we be saved by Christ's life!
"But that is not all; we rejoice because of what God has done through our Lord Jesus Christ, who has now made us God's friends."


Art is "The Resurrection" by Peter Paul Rubens, 1611 AD (scroll down at the link to find the commentary on this painting).

Holy Saturday: The Harrowing of Hell

O God, we look at the death that was,
Look at the time - unthinkable time!
When God lay dead and earth lay dark
And in all of time was nothing. Nothing!

Nothing!
The absence in which You Were.
The empty from which You Brought.
The void that only Your Voice can Fill and Shatter and Open.

And in that nothing, You Were.
And out of that nothing, You Came.
And we will the Truth of Your Death, that ever You Come.

Come, Lord Jesus!


Holy Saturday is dark, and solemn. Our Lord was still in His tomb, and those who loved him were still in anguish.

One of the most beautiful traditions around Holy Week is the understanding that Jesus also saved those who had died before He came to earth. Thus, those who longed for His coming in previous generations were also offered eternal life in Heaven. They also are a part of the "great cloud of witnesses" who surround us.

This exegesis is known as "The Harrowing of hell", and comes from at least as early as the 4th Century AD. This is yet another way of envisioning the scriptural mystery wherein Christ's resurrection saved the whole world, me, you and the little bitty babies, and the old men, and Adam and Eve, and every creature from the beginning until the end of time.


"I have been crucified with Christ and I no longer live, but Christ lives in me. The life I now live in the body, I live by faith in the Son of God, who loved me and gave himself for me"  Paul's Epistle to the Galatians, Chapter 2, verse 20. 



The poem is by Tina Howard
The image is an Albrecht Durer engraving from 1512 AD, titled "The Harrowing of hell", from a series illustrating The Passion of Christ.  Never heard of him, you think? If you have ever seen a figurine or art featuring the "Praying Hands", you've seen his work.

Tuesday of Holy Week: Rejection and Abandonment

Two of the events remembered on Holy Tuesday are those in which Jesus' own close disciples failed him. One is Judas' agreement to point Jesus out for arrest in exchange for money - 30 pieces of silver, to be exact. The other event was Peter's own fearful denial that he even knew Jesus. It is this temporary and unplanned abandonment that shows us how weak we can be when fear takes over our minds.

From John 13:36-38, in the Good News translation:

" 'Where are you going, Lord?' Simon Peter asked him.  
" 'You cannot follow me now where I am going,' answered Jesus; 'but later you will follow me.'
" 'Lord, why can't I follow you now?' asked Peter. 'I am ready to die for you!'
"Jesus answered, 'Are you really ready to die for me? I am telling you the truth: before the rooster crows you will say three times that you do not know me.'"

Go to Matthew 26:57-74 to read the rest, how Peter followed after Jesus was arrested, but blurted out denials when asked if he knew our Lord.

Both Peter and Judas were immediately remorseful when they recognized the enormity of what they had done. But Peter's betrayal was thoughtless, instinctual, while Judas acted with premeditation. Both broke Jesus' heart - and each broke his own heart as well. Where Judas despaired afterward, and killed himself in his grief, Peter spent the rest of his life sharing the Good News and in the end, he did gain the courage to die for Christ. Peter was martyred, crucified by the Roman emperor Nero about the time of the great fire, in about 64 AD.

The painting is oil on copper plate, titled "Peter's Denial",  by the 19th century Danish artist Carl Bloch Peters.

Monday of Holy Week: Righteous Rage

One of the events that happened in the last days of Jesus' life, before he was arrested, convicted by the mob, and crucified, is the "Cleansing of the Temple". This is a story that many non-Christians may never have heard. It is one of the times when Jesus showed His anger at wrongdoing, and used force to implement His will.   I have no doubt that He would have used similar force to protect the "woman taken in adultery" from being stoned to death if His persuasion had not been effective in convincing the men to drop their rocks and release her.

The gimmick of the day had been to use the space as a sort of Super Mall, with secular vendors hawking their wares at the very doors of the sanctuary.  The priests were supposed to prevent this kind of thing but they'd become as complicit as the rest. Jesus took it on himself to do the job.

Here is the story as told in John 2:13-17, in the Good News translation:

"It was almost time for the Passover Festival, so Jesus went to Jerusalem. There in the Temple he found people selling cattle, sheep, and pigeons, and also the moneychangers sitting at their tables. 

"So he made a whip from cords and drove all the animals out of the Temple, both the sheep and the cattle; he overturned the tables of the moneychangers and scattered their coins; and he ordered those who sold the pigeons, Take them out of here! Stop making my Father's house a marketplace! 

"His disciples remembered that the scripture says, My devotion to your house, O God, burns in me like a fire."

The incident is also related in Mark, Chapter 11, verses 15 through 19. Try this one in the English Standard Version:


"And they came to Jerusalem. And he entered the temple and began to drive out those who sold and those who bought in the temple, and he overturned the tables of the money-changers and the seats of those who sold pigeons.  And he would not allow anyone to carry anything through the temple.  

 "And he was teaching them and saying to them, “Is it not written, ‘My house shall be called a house of prayer for all the nations’? But you have made it a den of robbers.”  

 "And the chief priests and the scribes heard it and were seeking a way to destroy him, for they feared him, because all the crowd was astonished at his teaching. "

The illustration is a painting by Jacob Jordaens, circa 1650 AD. Jordaens was a Dutch painter who converted to Protestant Christianity while it was still illegal in The Netherlands due to the Spanish occupation (the only religion Spain recognized during that time was Catholic Christianity).

Today, It's: Mail Art.

 Well, my candidate has taken his name off the ballot for President. I guess the good news is that at least Texans won't have to worry about who is going to govern our state. Governor Perry, Governor Palin , and Todd Palin have endorsed Newt Gingrich. I will pray they are right, and turn my attention to daily, ordinary life for a while. 

I wander the web like I used to wander bookstores. Each week, some new thing will catch my attention, and I learn about it. Last time, it was Home Bee Keeping. More on that another time, because:

Today, it's Mail Art.

In this month's AAPA bundle (what people did before blogs), the Six Mile Press offering was about Carnegie Libraries. It inspired me, so for February's bundle, I'm making postcards out of a photo I took of the Carnegie Library in my hometown. I had prints made at Walmart.com, will use acetone to erase the corporate printing on the backs, rubber stamps to print "Post Card" on the backs, and stickers to label the front. (I'll add a photo to the blog when the project is done.)

Back to Mail Art. I wanted ideas for "arting up" my project, so went looking. Here are some places I found clever inspiration:

Everyday should be a Red Letter Day…

2012 Graceful Envelope Contest (and archives of past winners)

The Missive Maven

Austin Kleon's Blog, and esp. "How To Steal Like An Artist"

Postcrossing: The Postcard Crossing Project

S-FIMail

Good Mail Day

How fun is this? I may be looking at a new hobby-ette! Or, at least, until something else attracts my attention...

"...but the blessing of earth is toil."

"Born within a lowly stable, where the cattle 'round Me stood,
Trained a carpenter in Nazareth, I have toiled, and found it good.

"They who tread the path of labor follow where My feet have trod;
They who work without complaining do the holy will of God.

"Where the many toil together, there am I among My own;
Where the tired workman sleepeth, there am I with him alone."



More from Henry Van Dyke's "The Friendly Year". These verses are a small excerpt from "The Toiling of Felix, and Other Poems",  first published in 1900, a lyrical meditation on the spiritual value of work and labor in a happy life.

...and another Henry Ossawa Tanner painting: the oft-marketed "Young Sabot Maker", in which Tanner, in Paris, depicted a young apprentice learning to make wooden shoes, using the same kinds of woodworking tools that carpenters have used for thousands of years. Compare with the one above, which Georges DelaTour painted in the mid 17th century, of St Joseph in his cabinet shop, with the young Jesus at hand. As Tanner moved deeper and deeper into his calling to paint the biblical reality, it is easy to imagine his meditation on Jesus' childhood in a carpenter's home.

Tanner said of his work "My effort has been to not only put the Biblical incident in the original setting ... but at the same time give the human touch "which makes the whole world kin" and which ever remains the same. "

In the poet's words:
"This is the gospel of labour, ring it, ye bells of the kirk!
The Lord of Love came down from above, to live with the men who work.
This is the rose that He planted, here in the thorn-curst soil:
Heaven is blest with perfect rest, but the blessing of Earth is toil."

Come, Holy Spirit

"All around the circle of human doubt and despair, where men and women are going out to enlighten and uplift and comfort and strengthen their fellow-men under the perplexities and burdens of life, we hear the cry for a gospel which shall be divine, and therefore sovereign and unquestionable and sure and victorious. All through the noblest aspirations and efforts and hopes of our Age of Doubt, we feel the longing, and we hear the demand, for a new inspiration of Christian faith."  

Henry Van Dyke, as quoted in "The Friendly Year", a collection of Van Dyke's writing edited by George Sidney Webster, in 1909.

Art: Nicodemus visiting Jesus by night, painted by Henry Ossawa Tanner. Nicodemus was one of those in power who secretly came to Jesus, and, with Joseph of Aramathea, assisted in our Lord's proper burial. I love Tanner's beautiful paintings. I don't think anyone painted Christian Biblical scenes with the sense of concrete spirituality that Tanner achieved.

Henry Van Dyke and Henry Ossawa Tanner both played roles of ministry in World War I, drawn to serve by their passionate faith, and both were deeply affected by that Great War for Civilization.

"Darkness Came Over All the Land"

An Account of Jesus' Death from Matthew 27:45-51,54-56 :

 "From noon until three in the afternoon darkness came over all the land.  About three in the afternoon Jesus cried out in a loud voice, “Eli, Eli, lema sabachthani?” (which means “My God, my God, why have you forsaken me?”).

 "When some of those standing there heard this, they said, “He’s calling Elijah.”

 "Immediately one of them ran and got a sponge. He filled it with wine vinegar, put it on a staff, and offered it to Jesus to drink. The rest said, “Now leave him alone. Let’s see if Elijah comes to save him.”

 "And when Jesus had cried out again in a loud voice, he gave up his spirit.

 "At that moment the curtain of the temple was torn in two from top to bottom. The earth shook, the rocks split and the tombs broke open.

 "When the centurion and those with him who were guarding Jesus saw the earthquake and all that had happened, they were terrified, and exclaimed, “Surely he was the Son of God!”

 "Many women were there, watching from a distance. They had followed Jesus from Galilee to care for his needs. Among them were Mary Magdalene, Mary the mother of James and Joseph,and the mother of Zebedee’s sons."


O God, we look at the death that was,
look at the time - unthinkable time -
when God lay dead and earth lay dark
and in all of time was nothing.
Nothing! The Absence in which You Were.
The Empty from which You Brought.
The Void which only Your Voice can Fill
and Shatter and Open.

And in that Nothing, You Were;
and out of that Nothing, You Came;
and we will the Truth of Your Death,
that ever You Come.

Come, Lord Jesus.
        


Image: "Deposition", painting by Jean Beraud, 1892. Image courtesy of FreeChristImages.org
Poem: "Holy Saturday" by Tina Howard